The Indigo Girls’ song, “Driver Education,” seems to promote
the rebellious girlhood. There’s
promotion and selling of the pop culture items such as Marlboro, Reece’s Peanut
Butter Cups, and Pepsi. There’s
suicide, alcohol and drug use, aside the innocence of riding the school bus,
which seems to place an interesting dichotomy within the first half of the
song. A definite binary is set up
between the two types of girls “when you were sweet sixteen/I was already
mean,” as well as within the lyrics “With the switchblade set and the church
kids learning my moves.” We have a
division within the song between what would be considered the good girl and the
bad girl. The song as well, draws
a line between the “waterlogged,” birth and the older female reflecting on the
ways in which she behaved, “giving it up,” as a younger woman. The woman in the song is now tattooed,
like others she refers to “with a past they can’t remember.” However, interestingly, the narrative
voice within the song doesn’t necessarily say which girlhood choices were wrong
or right, only that they were, and that there was a binary between the two,
with no mention of middle ground.
I assume that the “she” referred to in the song, as “She
tastes like spring, there she goes again, drinking with the older guys,
tripping by the lakeside,” is a “she” that the narrator has experienced. The reference to having given it up,
likely sexually to a male, I also believe is part of a wanting to fit in, a way
of “Achieving a convincing gender practice” (O’Brien 1999), and enacting the ‘gender
script’ (van Doorn, Wyatt, Zoonen, 424).
As well, I don’t think it is coincidental that mention of “swimming
pools,” and “waterlogged,” as reference to water, are often discussed in terms
of yonic symbols. However, I
wrangle with the idea that the male type that attracted the narrator, exhibited
“nerdish homosociality” (Straw, 639), which revealed the queer struggle by way
of attempted suicide, and lack of sleep with “bloodshot eyes.”
I love your focus on binaries - the virgin/whore, good girl/bad girl, etc. This is so bedrock to ideas of gender performance, I think.
ReplyDeleteI'm also thinking now about your discussion of "she" in this song. I do see it as the narrator but could it also be an object of the narrator's desire - a desire that wants or wanted both male and female others?
Ah! I wrangled with the "she. I wonder if it's my tendency to revert to making the female/male, male/male, or female/male choices when I read "she" or "he" in a text I am not familiar with. How interesting how although I know better, I still revert to assigning relationship roles based on these set relationship patterns. I need to read those lyrics again!
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